​The Calling

In third grade I kept raising my hand
desperate to be called on
even though I had no idea what

the answer to the question was.
I only knew that to be called on
was the best thing. And isn't that still

the best thing--to be called on?
And all the days of uncertainty
and the lonely nights, the ends

of all the ropes, the whole house
of cards collapsed, now become
an answer to any question

that life conceives--like how the purpling
of dusk lingers between branches
after the sun sets, or whether it's better

to sit on the soil or eat warm, crusted
bread. How lucky to be chosen to answer
for the chickadees who stay all winter,

the daffodils that bloom too early, or a gull
tattered on the shore, wings half-buried in sand
each of us a grain, hands held high,

called on to notice it all, and answer.


Speaking in Tongues

It's funny what you don't have
to worry about--last night, after
a few warm Spring weeks,
the mercury fell to the 40s,
but today the corn shoots
poked their rolled green tongues
out of the garden soil. And while
the dryer we bought was a lemon
and in principle a ripoff, it still
works well enough. Which is
to say that, while my small
reactive and conditioned self is still,
more often than not, in the way,
the love that is living me and you
and the corn and the dryer--
the whole mercurial mystery
of it all--is already there, just
waiting to poke through the cold,
the unjust, the broken-down
garden soil of us with its playful,
green, giving and forgiving tongue.


Sky Writing

The wind dictates a memo,
fleet and legible, brailled
on the surface of the pond,
read by lilies and water shield,
telegraphed through stem, root, mud,
into the dreams of a turtle.

The message is clear and a little forlorn--
don't forget me, dear--I miss
the way we touched, moist and close
in summer. The pond itself is never lonely,
shows its moods skin to sky, sequined
in sunlit shadows, its depths unsecret,

transparent, receptive to a fault.
Whatever stirs the mud--turtles
reborn to spring, worms that burrow--
the pond takes note, allows, embraces,
the way the eye holds the world,
the way you might love your enemy.


Death Was Gentle

I asked Death to be gentle and she was,
knowing how terrified I'd been of her.
She took me to the soil, the bright womb where
all life is born from dun decay and rust.

And then I knew the one I'd feared was Earth,
whose every fold and wrinkle I adored.,
whose creatures were all siblings of my birth
whose beauty fed me still as through a birth-cord.

And so, to have been made of Death herself,
to sojourn on my mother, as matter--
nature, with no need to be another--
rock returned to beautiful rock in death,

from one whose terror told him not to be,
now I'm at home in life, myself, and free.

​    - Chuck Madansky

​​Having loved enough and lost enough,
I am no longer searching,
just opening,

no longer trying to make sense of pain,
but trying to be a soft and sturdy home
in which real things can land.

These are the irritations
that rub into a pearl.

So we can talk awhile
but then we must listen,
the way rocks listen to the sea.

And we can churn at all that goes wrong
but then we must lay all distractions
down, and water every living seed.

And yes, on nights like tonight
I too feel alone, but seldom do I
face it squarely enough
to see that it's a door
into the endless breath
that has no breather,
into the surf that human shells
call god.

​    - Mark Nepo

​
​Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
    From the hills above Glen-Car,
    In pools among the rushes
    That scarce could bathe a star,
    We seek for slumbering trout
    And whispering in their ears
    Give them unquiet dreams;
    Leaning softly out
    From ferns that drop their tears
    Over the young streams.
    Come away, O human child!
    To the waters and the wild
    With a faery, hand in hand,
    For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

    - William Butler Yeats

​Here is a story
to break your heart.
Are you willing?
This winter
the loons came to our harbor
and died, one by one,
of nothing we could see.
A friend told me
of one on the shore
that lifted its head and opened
the elegant beak and cried out
in the long, sweet savoring of its life
which, if you have heard it,
you know is a sacred thing,
and for which, if you have not heard it,
you had better hurry to where
they still sing.
And, believe me, tell no one
just where that is.
The next morning
this loon, speckled
and iridescent and with a plan
to fly home
to some hidden lake,
was dead on the shore.

I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.

​    - Mary Oliver