Is the question from the back of the room; I cannot
Quite see the student asking it, but it’s deep-voiced
And challenging and I assume it’s a guy. Because I
Want to rub music and language together and gawk
At the flames, I say. Because poetry, if it takes fire,
Cracks people’s masks, and assaults arrogance, and
Sucks you beneath the surface of words towards why
We use them. Because we have been singing before
There ‘were’ words and it’s healthy to remember that.
Because the great poems are about you and me both
And there is damned little we will be able to discuss
In the normal flow of the river and it’s good for both
Of us to stand together quietly for a while in a poem.
Because why the hell not ? What is it exactly that we
Should count as time better spent ? You cannot spare
Two minutes for a poem ? Sure, it might be pompous
Arty muck, and you demand your two minutes back,
But what if it isn’t ? What if it shivers you, or startles
You awake, or makes you weep remembering a time
When you sang all day too, and everything was made
Of music and light and colors and slabs of shimmer ?
‘What if’, brother – that’s my answer to your question.

    - Brian Doyle

​The sound of a bell
Still reverberating,
or a blackbird calling
from a corner of the field,
asking you to wake
into this life,
or inviting you deeper
into the one that waits.

Either way
takes courage,
either way wants you
to be nothing
but that self that
is no self at all,
wants you to walk
to the place
where you find
you already know
how to give
every last thing
away.

The approach
that is also
the meeting
itself,
without any
meeting
at all.

That radiance
you have always
carried with you
as you walk
both alone
and completely
accompanied
in friendship
by every corner
of the world
crying
Allelujah.

    - David Whyte

​The worst thing we ever did
was put God in the sky
out of reach pulling the divinity
from the leaf,
sifting out the holy from our bones,
insisting God isn’t bursting dazzlement
through everything we’ve made
a hard commitment to see as ordinary,
stripping the sacred from everywhere
to put in a cloud man elsewhere,
prying closeness from your heart.
​
The worst thing we ever did
was take the dance and the song
out of prayer
made it sit up straight
and cross its legs
removed it of rejoicing
wiped clean its hip sway,
its questions,
its ecstatic yowl,
its tears.

The worst thing we ever did is pretend
God isn’t the easiest thing
in this Universe
available to every soul
in every breath.

    - Chelan Harkin

I watched a glint of morning sunlight
climbing a thread of spider's silk
in a gentle breeze. It shinnied up
from the tip of a dewy stalk of grass
to an overhanging branch, then
disappeared into the leaves. But soon
another followed, and then another,
glint after glint, and though they made
no sound, what I could see was music,
not melody but one clear, shining note
plucked over and over, as if the sun
were tuning the day, then handing it
to me so I could be the one to play it.

​    - Ted Kooser

Starting here, what do you want to remember?
How sunlight creeps along the shining floor?
What scent of old wood hovers, what softened
sound from outside fills the air?

Will you ever bring a better gift for the world
than the breathing respect that you carry
wherever you go right now?  Are you waiting
for time to show you some better thoughts?

When you turn around, starting here, lift this
new glimpse that you found; carry into evening
all that you want from this day.  This interval you spent
reading or hearing this, keep it for life --

What can anyone give you greater than now, 
starting here, right in this room, when you turn around?

​    - William Stafford

Tell me, what
would you do today
if you knew your life
to be a celebration
of this world?

Would you stop
to gather sunlight
dropping soundlessly
upon pines
beyond your window pane?

Would you court
dreams too wide
for the container
of consciousness?

Would you linger
in the terrible beauty
of uncertainty
as if the fullness of the world
depended upon your presence?

Would you cast your hopes
upon possibilities that abide
only in departure?
​
Would you become the motion
of your song,
losing itself in overtones
of delight
or despair
and returning, finally,
to the stillness
from which it all began?

    - Bernadette Miller

​I hear other names for You – The Inviolable One,
God, Allah, Wakantanka, Higher Power,
The Ineffable. But why bother,
when You call to me by no name at all and I come.

Neither of us have a word for each other
save Us.
And even that is nobody’s business
​but Ours.

So let’s forget such partitions as names
and discuss this April day within,
which captures birds in flight
and all their eggs and songs
in one straight deed of liberation.

The mighty have fallen around this peace.
But let’s not get into that, when every moment
is roses, and the scent You give off tastes
in my nose like Now.
Like Forever. Like Now.

​All I want from You is nothing.
Peace is a dance, after all.
Peace moves. Peace laughs.
And Peace’s discussion is boughs of trees,
light, carriages, actors at their bent,
bravery in and out of action,
for after all, what, what, what
in this world is possibly not roses?

    - Bruce Moody

​—after Gwendolyn Brooks

No matter the pull toward brink. No
matter the florid, deep sleep awaits.
There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color’s green. I’m spring.

--for Walter Aikens

    - by Ross Gay

​for Luna

It was late afternoon and we were standing
on the deck overlooking the gray swath
of the Pacific, when my friends’ daughter,
then four, turned to me and pointed at the hawks
flying in the distance. I can call them if I want,
she said, tilting back her head to let out a long,
fierce caw, which floated up over the marsh
and above the trees. At first, nothing. Then--
a slash in the distance. And in the next moment
there it was—nearly above us, wings spread wide,
the color of rust. And then, another, the two floating
in silent circles while she sounded her cries.
The primal cry of the human, raw and plain.
The call to prayer, the weeping at the wall,
the singer’s highest, most broken, note.
Whatever it is we send up into oblivion, waiting.
Haven’t I, too, called out? Haven’t I beseeched
something winged to do my bidding?
And here she was, calling, and here they came,
in answer, this hinged assembly, hovering
toward us on the wind. Ten? Twenty?
Enough to darken the heavens above
where we stood, weighted in place, pinned
by a cover of raptors. Bone swallowers,
snake eaters, sharp-sighted angels of prey,
their scaled feet clutching the empty sky.

​    - Danusha Lameris