​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

I glanced at her and took my glasses
off--they were still singing. They buzzed
like a locust on the coffee table and then
ceased. Her voice belled forth, and the
sunlight bent. I felt the ceiling arch, and
knew that nails up there took a new grip
on whatever they touched. "I am your own
way of looking at things," she said. "When
you allow me to live with you, every
glance at the world around you will be
a sort of salvation." And I took her hand.

    - William Stafford

1. I once made a mix tape that was sixty minutes of "Jessie's Girl."  2. God, I
miss cassette tapes. I miss the hiss of unrequited love.  3. I miss being
fourteen and in love with, yes, my best friend's girlfriend.  4. I was in love
with her at fifteen, sixteen, seventeen, eighteen, and nineteen, as well. I was
in love with her for years after she broke up with my best friend.  5. When I
was twenty, and drinking my way into blackouts, I called her house. I was
too scared to talk to my beloved, who was away at college, but I needed to
confess to her mother.  6. But her father answered. It was four in the
morning.  7. "I'm in love with your daughter," I said.  8. "We know," he said.
He was amazingly polite despite the fact that I'd woken him at dawn-
thirty. He said, "You got lucky. She's here for the weekend. You want to talk
to her?"  9. I'm an indigenous American who has been in romantic love
with half a dozen white women.  10. And only one Indian woman.  11. And
yet, I think of my Indian wife and I as loving like Romeo and Juliet.
Because I grew up on one reservation as a tribal boy and she lived on a
dozen reservations as the daughter of a Bureau of Indian Affairs
superintendent.  12. If you don't understand that conflict, then you just
need to know that the BIA was originally located in the War Department.
13. I was one year sober when I met my wife. I've been sober ever since.  14.
Drunk for the white girls; sober for the Indian woman. Somebody needs to
write a song about that.

    - Sherman Alexie

​When they say Don’t I know you?
say no.

When they invite you to the party
remember what parties are like
before answering.
Someone is telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.

If they say We should get together
say why?

It’s not that you don’t love them anymore.
You’re trying to remember something
too important to forget.
Trees. The monastery bell at twilight.
Tell them you have a new project.
It will never be finished.

When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven’t seen in ten years
appears at the door,
don’t start singing him all your new songs.
You will never catch up.

Walk around feeling like a leaf.
Know you could tumble any second.
Then decide what to do with your time.

    - Naomi Shihab Nye

​Here is a story
to break your heart.
Are you willing?
This winter
the loons came to our harbor
and died, one by one,
of nothing we could see.
A friend told me
of one on the shore
that lifted its head and opened
the elegant beak and cried out
in the long, sweet savoring of its life
which, if you have heard it,
you know is a sacred thing,
and for which, if you have not heard it,
you had better hurry to where
they still sing.
And, believe me, tell no one
just where that is.
The next morning
this loon, speckled
and iridescent and with a plan
to fly home
to some hidden lake,
was dead on the shore.

I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.

​    - Mary Oliver

​If I began the story in the middle
you might be able to smell the nixtamal, the earthy lime
of corn masa, and the tortillas rising on the comal, warm
hands flipping them into being. You might be able to feel
the spot where my long golden ribbon pierces the crust
of the Earth, thrust down through oceans and tectonic plates
even before they were dreamed into existence, looped
and woven into the shape that holds it all into place. You might hear
the rushing of feathers slicing air as thousands of angels fall
through the gap in space that birthed it all into view, each one
bringing a thread to the weaving of life, the matrix of this new world.
You might smell the smoke of the tlecuil, the oven in which life
is cooked into living, matter kneaded into feeling, formed
and pressed with fingers, breathed upon, gazed upon, made
to be something new, something transformed
from nothing to this. And here we live now, in the whole
of creation, remembering, forgetting,
and remembering again, nestling into the weft
of the fibers, yearning to be touched
by her hands again.

​ - Emily Grieves