​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

​The door swings open,
you look in.
It’s dark in there,
most likely spiders:
nothing you want.
You feel scared.
The door swings closed. 

The full moon shines,
it’s full of delicious juice;
you buy a purse,
the dance is nice.
The door opens
And swings closed so quickly
you don’t notice.

The sun comes out,
you have swift breakfasts
with your husband, who is still thin;
you wash the dishes,
you love your children,
you read a book,
you go to the movies.
It rains moderately. 

The door swings open,
you look in:
why does this keep happening now?
Is there a secret?
The door swings closed. 

The snow falls,
you clear the walk while breathing heavily;
it’s not as easy as once.
Your children telephone sometimes.
The roof needs fixing.
You keep yourself busy.
The spring arrives.

The door swings open:
it’s dark in there,
with many steps going down.
But what is that shining?
Is it water?
The door swings closed.

The dog has died.
This happened before.
You got another; not this time though.
Where is your husband?
You gave up the garden.
It became too much.
At night there are blankets;
nonetheless you are wakeful.

The door swings open:
O god of hinges,
god of long voyages,
you have kept faith.
It’s dark in there.
You confide yourself to the darkness
You step in.
The door swings closed.

​    - Margaret Atwood

​Because one must be naked to get clean,
my dad shrugs out of his pajama shirt,
steps from his boxers and into the tub
as I brace him, whose long illness
has made him shed modesty too.
Seated on the plastic bench, he holds
the soap like a caught fish in his lap,
waiting for me to test the water’s heat
on my wrist before turning the nozzle
toward his pale skin. He leans over
to be doused, then hands me the soap
so I might scrub his shoulders and neck,
suds sluicing from spine to buttock cleft.
Like a child he wants a washcloth
to cover his eyes while I lather
a palmful of pearlescent shampoo
into his craniotomy-scarred scalp
and then rinse clear whatever soft hair
is left. Our voices echo in the spray
and steam of this room where once,
long ago, he knelt at the tub’s edge
to pour cups of bathwater over my head.
He reminds me to wash behind his ears,
and when he judges himself to be clean,
I turn off the tap. He grips the safety bar,
steadies himself, and stands. Turning to me,
his body is dripping and frail and pink.
And although I am nearly forty,
he has this one last thing to teach me.
I hold open the towel to receive him.

​    - Amy Fleury

Is the question from the back of the room; I cannot
Quite see the student asking it, but it’s deep-voiced
And challenging and I assume it’s a guy. Because I
Want to rub music and language together and gawk
At the flames, I say. Because poetry, if it takes fire,
Cracks people’s masks, and assaults arrogance, and
Sucks you beneath the surface of words towards why
We use them. Because we have been singing before
There ‘were’ words and it’s healthy to remember that.
Because the great poems are about you and me both
And there is damned little we will be able to discuss
In the normal flow of the river and it’s good for both
Of us to stand together quietly for a while in a poem.
Because why the hell not ? What is it exactly that we
Should count as time better spent ? You cannot spare
Two minutes for a poem ? Sure, it might be pompous
Arty muck, and you demand your two minutes back,
But what if it isn’t ? What if it shivers you, or startles
You awake, or makes you weep remembering a time
When you sang all day too, and everything was made
Of music and light and colors and slabs of shimmer ?
‘What if’, brother – that’s my answer to your question.

    - Brian Doyle

I watched a glint of morning sunlight
climbing a thread of spider's silk
in a gentle breeze. It shinnied up
from the tip of a dewy stalk of grass
to an overhanging branch, then
disappeared into the leaves. But soon
another followed, and then another,
glint after glint, and though they made
no sound, what I could see was music,
not melody but one clear, shining note
plucked over and over, as if the sun
were tuning the day, then handing it
to me so I could be the one to play it.

​    - Ted Kooser

What if we enter each day
so silently, so seamlessly
the birds don't sound alarms and dart away,
our minds so well released from fits of thought
we are kin to all that breathes,
like grazing deer
hidden in dapples of green

O how we would walk then
light hoofed and elfin eyed, even on crowded days,
each trembling leaf a welcome
Silky beating wings
would cool our errant fevers of mind
would keep us filled with awe
and kind

​    - Cynthia Poten

Lie back, daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls. A dead-
man's-float is face down. You will dive
and swim soon enough where this tidewater
ebbs to the sea. Daughter, believe
me, when you tire on the long thrash
to your island, lie up, and survive.
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.

    - Philip Booth

​She steps into the dark swamp
where the long wait ends.

The secret slippery package
drops to the weeds.

She leans her long neck and tongues it
between breaths slack with exhaustion

and after a while it rises and becomes a creature
like her, but much smaller.

So now there are two. And they walk together
like a dream under the trees.

In early June, at the edge of a field
thick with pink and yellow flowers

I meet them.
I can only stare.

She is the most beautiful woman
I have ever seen.

Her child leaps among the flowers,
the blue of the sky falls over me

like silk, the flowers burn, and I want
to live my life all over again, to begin again,

to be utterly
wild.

​    - Mary Oliver