​I no longer pray— 
now I drink dark chocolate 
and let the moon sing to me.

I no longer pray--
I let my ancestors dance 
through my hips
at the slightest provocation.

I no longer pray--
I go to the river
and howl my ancient pain 
into the current.

I no longer pray--
I ache, I desire,
I say “yes” to my longing.

I no longer pray as I was taught
but as the stars crawl
onto my lap like soft animals at nighttime 
and God tucks my hair behind my ears 
with the gentle fingers of her wind
and a new intimacy is uncovered in everything,
perhaps it's that I’m finally learning 
how to pray.

    - Chelan Harkin

If not now
when? Who will sing
the praises of this place
if not you?
Can you make love
with limp excuses?
Just one word
in your own voice
would cock the heads of robins,
but today they listen only to worms.
Every morning
a thousand birds
give the world a chorus of themselves
without hesitation or regret.
All through the day
the trees and sky
speak in the hushed voices of lovers,
and in the night
the grasses sigh in the warm hands
of the evening breeze
while fireflies flash their honest love
to the distant stars passing overhead.
When you are ready, 
join the conversation--
It still needs the strong and delicate
sound of your voice.

    - Thomas Griffin

​
​Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
    From the hills above Glen-Car,
    In pools among the rushes
    That scarce could bathe a star,
    We seek for slumbering trout
    And whispering in their ears
    Give them unquiet dreams;
    Leaning softly out
    From ferns that drop their tears
    Over the young streams.
    Come away, O human child!
    To the waters and the wild
    With a faery, hand in hand,
    For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

    - William Butler Yeats

​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

Let it be known—I worship the Goddess of Reality

The one with tangled hair where insects nest, 
the one with blood soaked thighs,
The one who crushes my concepts with her razor teeth
and spits my mind into the wind

​She shakes her belly to the beat of primordial passion 
and feasts on the meat of ignorance 

She wanders in the garden with a basket woven with the chaos of stars
She is savoring every petal and thorn
while casting the seeds of manifestation
without rhyme or reason

She is innocent and free
and her eyes are the sound of laughter
She can not be contained or rationalized 
and she will not conform to my ideas
of how reality should be 

She stomps to the beat and throws her hips 
She is the prowl of the panther
and the leaping deer of supreme delight
She is pure in heart and the darkness of thunder

Her ruthlessness is the compassion
that severs my arrogance
and undoes my separation
so that I may know her deeply
and drink in her wild radiance.

With all that I am 
I devote myself to her insane beauty.

​When I am humble and true
She comes to me: “Dance! Why aren’t you dancing?!”

She will not be tamed 
yet she is the Grace that opens up 
the blessed wound of living

Let it be known—I love Her
this feral beast Woman
the one who is drenched in the Nectar of Love.

​I dance with her
because there is  
nothing left 
to do.

    - Maya Luna

Lie back, daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls. A dead-
man's-float is face down. You will dive
and swim soon enough where this tidewater
ebbs to the sea. Daughter, believe
me, when you tire on the long thrash
to your island, lie up, and survive.
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.

    - Philip Booth