- for Peter Hennessy

I used to wait for the flowers,
my pleasure reposed on them.
Now I like plants before they get to the blossom.
Leafy ones -- foxgloves, comfrey, delphiniums --
fleshy tiers of strong leaves pushing up
into air grown daily lighter and more sheened
with bright dust like the eyeshadow
that tall young woman in the bookshop wears,
its shimmer and crumble on her white lids.

The washing sways on the line, the sparrows pull
at the heaps of drying weeds that I've left around.
Perhaps this is middle age. Untidy, unfinished,
knowing there'll never be time now to finish,
liking the plants -- their strong lives --
not caring about the flowers, sitting in the weeds
to write things down, look at things,
watching the sway of shirts on the line,
the cloth filtering light.

I know more or less
how to live through my life now.
But I want to know how to live what's left
with my eyes open and my hands open;
I want to stand at the door in the rain
listening, sniffing, gaping.
Fearful and joyous,
like an idiot before God.

    - Kerry Hardie

​Dawn has never broken.
She is very much in one piece,
and what a piece!
If you're lucky, you'll catch her where she lives,
Between black and white.
But you'd better pay attention.
She's a tease and won't suffer fools
So keep your eyes open.

And watch her slip on that gentle orange dress with the pink sash.
And watch her slip out night's window, no one the wiser.
And watch her do her exotic dance between heaven and earth
Heating
Heating
Heating to the burning point
Until she's got you so dizzy you close your eyes for 20 seconds.

When you open them
She's gone.

And all that remains is gentle laughter
Just beyond the horizon.

​    - Lee Brewster

​I Went Out to Hear

The sound of quiet. The sky
indigo, steeping
deeper from the top, like tea.
In the absence
of anything else, my own
breathing became obscene.
I heard the beating
of bats' wings before
the air troubled above
my head, turned to look
and saw them gone.
On the surface of the black
lake, a swan and the moon
stayed perfectly
still. I knew this was 
a perfect moment.
Which would only hurt me
to remember and never
live again. My God.
How lucky to have lived
a life I would die for.

​    - Leila Chatti

Wild Rose Goes for a Drive with God

But first, she takes a few slugs of absinthe.
The pale green thrill of it blazes in her throat.

God walks in just as she finishes her glass.
God finishes the bottle. Then he says,

Are you nervous? Wild Rose doesn't hesitate
to say, No way. I am ready for anything.

God says they're going for a spin.
Wild Rose doesn't care where. All she wants

is for God to show her a real good time. And
she is open to what that means. Here,

says God, as they arrive at the car,
climb in. He opens the driver's seat door for her.

She pours her long legs in. There's no brake, she sees.
No rearview mirror. No reverse. No safety belts.

A big back seat. Oh yeah, she says, and revs the engine.
The night smells like licorice, like sweat.

​    - Rosemerry Wahtola Trommer

​Earth, isn’t this what you want? To arise in us, invisible?
Is it not your dream, to enter us so wholly
there’s nothing left outside us to see?
What, if not transformation
is your deepest purpose? Earth, my love,
I want it too. Believe me,
no more of your springtimes are needed
to win me over—even one flower
is more than enough. Before I was named
I belonged to you. I see no other law
but yours, and know I can trust
the death you will bring.
​
See, I live. On what?
Childhood and future are equally present.
Sheer abundance of being
floods my heart.
​
    - Rainer Maria Rilke, from The Ninth Duino Elegy
translation by Anita Burrows and Joanna Macy

******************************

Earth, isn't this what you want: invisibly
to arise in us? Is it not your dream
to be some day invisible? Earth! Invisible!
What, if not transformation, is your insistent commission?
Earth, dear one, I will! Oh, believe it needs
not one more of your springtimes to win me over.
One, just one, is already too much for my blood.
From afar I'm utterly determined to be yours.
You were always right and your sacred revelation is the intimate death.

Behold, I'm alive. On what? Neither childhood nor future
grows less...surplus of existence
is welling up in my heart.

    - Rainer Maria Rilke, from The Ninth Duino Elegy
translation by C. F. MacIntyre

******************************

Earth, isn’t this what you want: to arise within us,
invisible? Isn’t it your dream
to be wholly invisible someday? –O Earth: invisible
What, if not transformation, is your urgent command?
Earth, my dearest, I will. Oh believe me, you no longer
need your springtimes to win me over – one of them,
ah, even one, is already too much for my blood.
Unspeakably I have belonged to you, from the first.
You were always right, and your holiest inspiration
is our intimate companion, Death.  

Look, I am living. On what? Neither childhood nor future
grows any smaller… Superabundant being
wells up in my heart.

     - Rainer Maria Rilke, from The Ninth Duino Elegy
​translation by Stephen Mitchell

​
​Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
    From the hills above Glen-Car,
    In pools among the rushes
    That scarce could bathe a star,
    We seek for slumbering trout
    And whispering in their ears
    Give them unquiet dreams;
    Leaning softly out
    From ferns that drop their tears
    Over the young streams.
    Come away, O human child!
    To the waters and the wild
    With a faery, hand in hand,
    For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

    - William Butler Yeats

It is too easy to become overwhelmed
by the suffering in the world
and the only prayer one can muster
is for the qualities of surrender
be made visible
and soon

As the way dawn light
caresses our dreams
when we dare to raise our face
towards the hope of winterlight

When the end of the day arrives
we slip off the woolen cloak of sacrifice
so heavy it threatens
to tip over the chair
by the weight of it

Yes we have courted bitterness
the tannin lingering on our lips
but once we are no longer willing
to remain a prisoner to resentment

We begin to call back
the known
the true essence
of who we once were
before we became
victim to the unbearable

And this is the trial of love
that we are born to

This unspeakable price
we pay to dance
    such a short while to
    this earthly music
    in the deepest hours of night

So that we will emerge
    more light filled
    than before.

    - Kristy Hellum

​​He changed the canary
Fed the mule
Stood transfixed for half an hour
Every morning
He changed the canaries
Fed the mule
And stood transfixed for half an hour
He never planned on standing transfixed for half an hour
It just happened
Every morning
Maybe it was the pause in finishing feeding the mule
The momentum running down
There seemed to be a natural momentum
From changing the canaries
To feeding the mule
There was never any problem
Moving from the canaries
To the mule
It just happened
Every morning
It was the pause
After feeding the mule
That stunned him
A Giant Pause
He even knew what the next thing was
He knew it very clearly
He knew the next thing was feeding himself
After feeding the mule
But he couldn’t move
He stood transfixed for half an hour
Staring at the desert
Sometimes staring at his bottle house
Sometimes staring at the well pump
It depended on which direction he happened to be facing
When the transfixion struck him
It got to the point when he looked forward
To standing transfixed for half an hour
It was the high point of his morning
Change the canaries
Feed the mule
Stand transfixed for half an hour

​    - Sam Shepard

​"Innocence sees that this is it, and finds it world enough."
                                                                                         - Annie Dillard
 
At some point you make peace with it
Your life as it is, with all it offers you

Like an early evening walk, half moon
Hung in the tiger lily sky

Black cows heading to the barn
Bemoaning the end of day

Hundreds of blackbirds screeching
Live as the wire they perch upon

My long-time friend zipping by in her van
Waving. It’s after all the whining

And stomping of feet, of course. After dreams
Blur with real life. After the pin-pricked

Pop of the inflated ego. What joy
Mysterious. What humble innocence.

​    - Julie L. Moore

​        - In gratitude to K & G
​
Stop moving. Stand in
one place – this place.
Breathe slowly; in, then out. Repeat.

Repeat again. Let your
shoulders sink and relax. Unclench
your jaw; slowly close your eyes.

Listen for your heartbeat; really
listen. Feel it pulse in
your fingertips.

Lessen expectations. Under-do all your
efforts. Requisition the time
for your soul

to catch up. Lean
into the wind; feel it
like a tree and test the ground.

Learn to trust the resilience.
It would be treason
to move quickly – left or right –

from this place. It is alright to be exactly
what you are, who you are, where you are.
Right here, right now.

     - Dane Anthony