​This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.
 
In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.
 
This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.
 
The love of the chestnut,
the jazz cap and one hand on the wheel.
 
No lust, no slam of the door –
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.
 
No waiting, no huffiness, or rancor –
just a twinge every now and then
 
for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.
 
But my heart is always propped up
in a field on its tripod,
ready for the next arrow.
 
After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,
 
so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.

​    - Billy Collins

​
​Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
    From the hills above Glen-Car,
    In pools among the rushes
    That scarce could bathe a star,
    We seek for slumbering trout
    And whispering in their ears
    Give them unquiet dreams;
    Leaning softly out
    From ferns that drop their tears
    Over the young streams.
    Come away, O human child!
    To the waters and the wild
    With a faery, hand in hand,
    For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

    - William Butler Yeats

​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

Sometimes we saw shadows of gods
in the trees; silenced, we went on.
Sometimes the dog would bound off
over the snow, into the forest.
Sometimes a tree had twenty
or more black turkeys in it, each
seeming the size of a small black bear.
We remember them for their care
for their kind ever since we watched the big hen
in the very top of the tree shaking
load after load of apples down to the flock.
Sometimes I felt I would never
come out of the woods, I thought
its deeper darkness might absorb me
or feed me to the black turkeys
and I would cry out for the dog
and the dog would not answer.

​    - Galway Kinnell

"Never," said my father,
"Never cut a pomegranate
through the heart.  It will weep blood.
Treat it delicately, with respect.

Just slit the upper skin across four quarters.
This is a magic fruit,
so when you split it open, be prepared
for the jewels of the world to tumble out,
more precious than garnets,
more lustrous than rubies,
lit as if from inside.
Each jewel contains a living seed.
Separate one crystal.
Hold it up to catch the light.
Inside is a whole universe.
No common jewel can give you this."

Afterwards, I tried to make necklaces
of pomegranate seeds.
The juice spurted out, bright crimson,
and stained my fingers, then my mouth.
I didn't mind.  The juice tasted of gardens
I had never seen, voluptuous
with myrtle, lemon, jasmine
and alive with parrots' wings.

The pomegranate reminded me
that somewhere I had another home.

    - Imtiaz Dharker

​Don’t take it personal, they said;
but I did, I took it all quite personal--

the breeze and the river and the color of the fields;
the price of grapefruit and stamps,

the wet hair of women in the rain--
And I cursed what hurt me

and I praised what gave me joy,
the most simple-minded of possible responses.

The government reminded me of my father,
with its deafness and its laws,

and the weather reminded me of my mom,
with her tropical squalls.

Enjoy it while you can, they said of Happiness
Think first, they said of Talk

Get over it, they said
at the School of Broken Hearts

but I couldn’t and I didn’t and I don’t
believe in the clean break;

I believe in the compound fracture
served with a sauce of dirty regret,

I believe in saying it all
and taking it all back

and saying it again for good measure
while the air fills up with I’m-Sorries

like wheeling birds
and the trees look seasick in the wind.

Oh life! Can you blame me
for making a scene?

You were that yellow caboose, the moon
disappearing over a ridge of cloud.

I was the dog, chained in some fool’s backyard;
barking and barking:

trying to convince everything else
to take it personal too.

    - Tony Hoagland

have your eyes ever fallen upon a beast like me
i have the spine of a mulberry tree
the neck of a sunflower
sometimes i am the desert
at times the rain forest
but always the wild
my belly brims over the waistband of my pants
each strand of hair frizzing out like a lifeline
it took a long time to become
such a sweet rebellion
back then i refused to water my roots
till i realized
if i am the only one
who can be the wilderness
then let me be the wilderness
the tree trunk cannot become the branch
the jungle cannot become the garden
so why should i

    - Rupi Kaur

​​Be like a bear in the forest of yourself.
Even sleeping you are powerful in your breath.
Every hair has life
and standing, as you do, swaying
from one foot to the other
all the forest stands with you.
Each minute sound, one after another,
is distinct in your ear. Here
in the blur of mixed sensations, you can
feel the crisp outline of being, particulate.
Great as you are, huge as you are and
growling like the deepest drum,
the continual vibration that makes music
what it is,
not some light stone skipped on the surface of things,
you travel below
sounding the depths where only the dauntless go.
Be like the bear and
do not forget
how you rounded your
massive shape over the just ripened
berry which burst
in your mouth that moment
how you rolled in
the wet grass, cool and silvery, mingling
with your sensate skin,
how you shut
your eyes and swam far and farther
still, starlight
shaping itself to your body,
starship rocking the grand, slow waves
under the white trees, in the
snowy night.

    - Susan Griffin

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor's
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it's the greening of the trees
that really gets to me.  When all the shock of white 
and taffy, the world's baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come.  Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty.  Fine then,
I'll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I'll take it all.

​    - Ada Limon