I am here -
I wear the old-ones' jade -
it's life, they said & precious;
turquoise I've sought to hone my visions;
& coral to cultivate the heart;
mother of pearl for purity.

I have put on what power I could
to tell you there are mountains
where the stones sleep -
          hawks nest there
& lichens older than the ice is cold.

The sea is vast & deep
keeping secrets
darker than the rocks are hard.

I am here to tell you
the Earth is made of things
so much themselves
they make the angels kneel.
We walk among them
& they are certain as the rain is wet
& they are fragile as the pine is tall.

We, too, belong to them;
they count upon our singing,
the footfalls of our dance,
our children's shouts, their laughter.

I am here for the unfinished song,
the uncompleted dance,
the healing,
the dreadful fakes of love.
          I am here for life
                    & I will not go away.

​    - Rafael Jesus Gonzalez

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor's
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it's the greening of the trees
that really gets to me.  When all the shock of white 
and taffy, the world's baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come.  Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty.  Fine then,
I'll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I'll take it all.

​    - Ada Limon

Windy today and I feel less than brilliant,
driving over the hills from work.
There are the dark parts on the road
​ when you pass through clumps of wood
and the bright spots where you have a view of the ocean,
but that doesn’t make the road an allegory.

I should call Marie and apologize
for being so boring at dinner last night,
but can I really promise not to be that way again?
And anyway, I’d rather watch the trees, tossing
in what certainly looks like sexual arousal.

Otherwise it’s spring, and everything looks frail;
the sky is baby blue, and the just-unfurling leaves
are full of infant chlorophyll,
the very tint of inexperience.

Last summer’s song is making a comeback on the radio,
and on the highway overpass,
the only metaphysical vandal in America has written
MEMORY LOVES TIME
in big black spraypaint letters,

which makes us wonder if Time loves Memory back.

Last night I dreamed of X again.
She’s like a stain on my subconscious sheets.
Years ago she penetrated me
but though I scrubbed and scrubbed and scrubbed,
I never got her out,
but now I’m glad.

What I thought was an end turned out to be a middle.
What I thought was a brick wall turned out to be a tunnel.
What I thought was an injustice
turned out to be a color of the sky.

Outside the youth center, between the liquor store
and the police station,
a little dogwood tree is losing its mind;

overflowing with blossomfoam,
like a sudsy mug of beer;
like a bride ripping off her clothes,

dropping snow white petals to the ground in clouds,

so Nature’s wastefulness seems quietly obscene.
It’s been doing that all week:
making beauty,
and throwing it away,
and making more.

​ - Tony Hoagland

You are not surprised at the force of the storm--
you have seen it growing.
The trees flee. Their flight
sets the boulevards streaming. And you know:
he whom they flee is the one
you move toward. All your senses
sing him, as you stand at the window.

The weeks stood still in summer.
The trees' blood rose. Now you feel
it wants to sink back
into the source of everything. You thought
you could trust that power
when you plucked the fruit:
now it becomes a riddle again
and you again a stranger.

Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.

-Rainer Maria Rilke, translation by Joanna Macy

​​I am dreaming of a house just like this one

but larger and opener to the trees, nighter

than day and higher than noon, and you,

visiting, knocking to get in, hoping for icy

milk or hot tea or whatever it is you like.

For each night is a long drink in a short glass.

A drink of blacksound water, such a rush

and fall of lonesome no form can contain it.

And if it isn’t night yet, though I seem to

recall that it is, then it is not for everyone.

Did you receive my invitation? It is not

for everyone. Please come to my house

lit by leaf light. It’s like a book with bright

pages filled with flocks and glens and groves

and overlooked by Pan, that seductive satyr

in whom the fish is also cooked. A book that

took too long to read but minutes to unread--

that is—to forget. Strange are the pages

thus. Nothing but the hope of company.

I made too much pie in expectation. I was

hoping to sit with you in a tree house in a

nightgown in a real way. Did you receive

my invitation? Written in haste, before

leaf blinked out, before the idea fully formed.

An idea like a storm cloud that does not spill

or arrive but moves silently in a direction.

Like a dark book in a long life with a vague
​
hope in a wood house with an open door.


​    - Brenda Shaughnessy

There's a place between two stands of trees
where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread,
but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light-
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you anything?
Because you still listen,
because in times like these to have you listen at all,
it's necessary to talk about trees.

   -Adrienne Rich