​​Having loved enough and lost enough,
I am no longer searching,
just opening,

no longer trying to make sense of pain,
but trying to be a soft and sturdy home
in which real things can land.

These are the irritations
that rub into a pearl.

So we can talk awhile
but then we must listen,
the way rocks listen to the sea.

And we can churn at all that goes wrong
but then we must lay all distractions
down, and water every living seed.

And yes, on nights like tonight
I too feel alone, but seldom do I
face it squarely enough
to see that it's a door
into the endless breath
that has no breather,
into the surf that human shells
call god.

​    - Mark Nepo

​
​Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
    From the hills above Glen-Car,
    In pools among the rushes
    That scarce could bathe a star,
    We seek for slumbering trout
    And whispering in their ears
    Give them unquiet dreams;
    Leaning softly out
    From ferns that drop their tears
    Over the young streams.
    Come away, O human child!
    To the waters and the wild
    With a faery, hand in hand,
    For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

    - William Butler Yeats

​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

...Want only what is true.
This will lead you to the well of your deepest sorrows.
Follow that passageway, all the way down;
Become the dark emptiness of your absent core.
Be still. Don't measure the waiting.
Be still. Let the waiting become a fire.
Be still. Let the fire show you its secret heart;
a strand of clear light running through you.
Gather yourself there, and the luminous universe opens.
In the vast expanse, fathomless, infinite ocean of light,
Lose yourself, and find yourself, and become what you already are.

    - Jennifer Welwood

Lie back, daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls. A dead-
man's-float is face down. You will dive
and swim soon enough where this tidewater
ebbs to the sea. Daughter, believe
me, when you tire on the long thrash
to your island, lie up, and survive.
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.

    - Philip Booth

​Don’t take it personal, they said;
but I did, I took it all quite personal--

the breeze and the river and the color of the fields;
the price of grapefruit and stamps,

the wet hair of women in the rain--
And I cursed what hurt me

and I praised what gave me joy,
the most simple-minded of possible responses.

The government reminded me of my father,
with its deafness and its laws,

and the weather reminded me of my mom,
with her tropical squalls.

Enjoy it while you can, they said of Happiness
Think first, they said of Talk

Get over it, they said
at the School of Broken Hearts

but I couldn’t and I didn’t and I don’t
believe in the clean break;

I believe in the compound fracture
served with a sauce of dirty regret,

I believe in saying it all
and taking it all back

and saying it again for good measure
while the air fills up with I’m-Sorries

like wheeling birds
and the trees look seasick in the wind.

Oh life! Can you blame me
for making a scene?

You were that yellow caboose, the moon
disappearing over a ridge of cloud.

I was the dog, chained in some fool’s backyard;
barking and barking:

trying to convince everything else
to take it personal too.

    - Tony Hoagland

​for Luna

It was late afternoon and we were standing
on the deck overlooking the gray swath
of the Pacific, when my friends’ daughter,
then four, turned to me and pointed at the hawks
flying in the distance. I can call them if I want,
she said, tilting back her head to let out a long,
fierce caw, which floated up over the marsh
and above the trees. At first, nothing. Then--
a slash in the distance. And in the next moment
there it was—nearly above us, wings spread wide,
the color of rust. And then, another, the two floating
in silent circles while she sounded her cries.
The primal cry of the human, raw and plain.
The call to prayer, the weeping at the wall,
the singer’s highest, most broken, note.
Whatever it is we send up into oblivion, waiting.
Haven’t I, too, called out? Haven’t I beseeched
something winged to do my bidding?
And here she was, calling, and here they came,
in answer, this hinged assembly, hovering
toward us on the wind. Ten? Twenty?
Enough to darken the heavens above
where we stood, weighted in place, pinned
by a cover of raptors. Bone swallowers,
snake eaters, sharp-sighted angels of prey,
their scaled feet clutching the empty sky.

​    - Danusha Lameris