Sometimes we saw shadows of gods
in the trees; silenced, we went on.
Sometimes the dog would bound off
over the snow, into the forest.
Sometimes a tree had twenty
or more black turkeys in it, each
seeming the size of a small black bear.
We remember them for their care
for their kind ever since we watched the big hen
in the very top of the tree shaking
load after load of apples down to the flock.
Sometimes I felt I would never
come out of the woods, I thought
its deeper darkness might absorb me
or feed me to the black turkeys
and I would cry out for the dog
and the dog would not answer.

​    - Galway Kinnell

1. I once made a mix tape that was sixty minutes of "Jessie's Girl."  2. God, I
miss cassette tapes. I miss the hiss of unrequited love.  3. I miss being
fourteen and in love with, yes, my best friend's girlfriend.  4. I was in love
with her at fifteen, sixteen, seventeen, eighteen, and nineteen, as well. I was
in love with her for years after she broke up with my best friend.  5. When I
was twenty, and drinking my way into blackouts, I called her house. I was
too scared to talk to my beloved, who was away at college, but I needed to
confess to her mother.  6. But her father answered. It was four in the
morning.  7. "I'm in love with your daughter," I said.  8. "We know," he said.
He was amazingly polite despite the fact that I'd woken him at dawn-
thirty. He said, "You got lucky. She's here for the weekend. You want to talk
to her?"  9. I'm an indigenous American who has been in romantic love
with half a dozen white women.  10. And only one Indian woman.  11. And
yet, I think of my Indian wife and I as loving like Romeo and Juliet.
Because I grew up on one reservation as a tribal boy and she lived on a
dozen reservations as the daughter of a Bureau of Indian Affairs
superintendent.  12. If you don't understand that conflict, then you just
need to know that the BIA was originally located in the War Department.
13. I was one year sober when I met my wife. I've been sober ever since.  14.
Drunk for the white girls; sober for the Indian woman. Somebody needs to
write a song about that.

    - Sherman Alexie

​I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest, I like
that they’re ladies. As if this big
dangerous animal is also a part of me,
that somewhere inside the delicate
skin of my body, there pumps
an 8-pound female horse heart,
giant with power, heavy with blood.
Don’t you want to believe it?
Don’t you want to lift my shirt and see
the huge beating genius machine
that thinks, no, it knows,
it’s going to come in first.

     - Ada Limon

​She steps into the dark swamp
where the long wait ends.

The secret slippery package
drops to the weeds.

She leans her long neck and tongues it
between breaths slack with exhaustion

and after a while it rises and becomes a creature
like her, but much smaller.

So now there are two. And they walk together
like a dream under the trees.

In early June, at the edge of a field
thick with pink and yellow flowers

I meet them.
I can only stare.

She is the most beautiful woman
I have ever seen.

Her child leaps among the flowers,
the blue of the sky falls over me

like silk, the flowers burn, and I want
to live my life all over again, to begin again,

to be utterly
wild.

​    - Mary Oliver

When beauty walks into the room and sits
down close to you and is willing to let you
gaze at her as much as you want,

no one has to tell you all is alright now, no
one has to parrot again . . . someday your pain
won't exist.

For we live to be near her.  She oozes grace.
Part of her benediction is that all the hormones
you want to come alive do.

Passion in full throttle says to the past, says to
worries--go fuck yourself, and the past will
crouch down or run . . . like a pup in the
presence of a fierce dog.

When God makes itself more known and all
our attention rivets on some aspect of Splendor,

all our internal dialogue--what can it do, but
cease to deplete one,

then something lifts our heart toward the Sky.

    - Hafiz, trans. by Daniel Ladinsky

My friends, let's grow up.
    Let's stop pretending we don't know the deal here.
Of if we truly haven't noticed, let's wake up and notice.
    Look: Everything that can be lost, will be lost.
It's simple - how could we have missed it for so long?
Let's grieve our losses fully, like human ripe beings.
    But please, let's not be so shocked by them.
    Let's not act so betrayed,
As though life had broken her secret promise to us.

Impermanence is life's only promise to us,
And she keeps it with ruthless impeccability.

To a child, she seems cruel, but she is only wild,
    And her compassion exquisitely precise. 
    Brilliantly penetrating, luminous with truth,
She strips away the unreal to show us the real.
This is the true ride - let's give ourselves to it!
    Let's stop making deals for a safe passage - 
    There isn't one anyway, and the cost is too high.
We are not children anymore.

The true human adult gives everything
    for what cannot be lost.
Let's dance the wild dance of no hope.

    - Jennifer Welwood

* in Sanskrit a Dakini is a "sky walker", a Tantric priestess of the ever-changing flow of energy, a force of truth who presides over the funeral of self-deception.

Now I understand that there are two melodies playing,
one below the other, one easier to hear, the other

lower, steady, perhaps more faithful for being less heard
yet always present.

When all other things seem lively and real,
this one fades. Yet the notes of it

touch as gently as fingertips, as the sound
of the names laid over each child at birth.

I want to stay in that music without striving or cover.
If the truth of our lives is what it is playing,

the telling is so soft
that this mortal time, this irrevocable change,

becomes beautiful. I stop and stop again
to hear the second music.
​
I hear the children in the yard, a train, then birds.
All this is in it and will be gone. I set my ear to it as I would to a heart.

​    - Annie Lighthart

i heard a woman becomes herself
the first time she speaks
without permission

then, every word out of her mouth
a riot

say, beautiful
and point to the map of your body

say, brave
and wear your skin like a gown or a suit

say, hero
and cast yourself in the lead role

when a girl pronounces her own name
there is glory

when a woman tells her own story
she lives forever

all the women i know are perennials:
marigolds, daffodils-
soft things that refuse to die

if this poem is the only thing that survives me

tell them i grew a new tongue
tell them i built me a throne

tell them when we discovered life on another planet
it was a woman
and she built a bridge, not a border

i heard this is how you make history,
this is how you create a new world

    - Denice Frohman