​the light that came to lucille clifton

came in a shift of knowing
when even her fondest
sureties faded away. it was the summer
she understood that she had not understood
and was not mistress even
of her own off eye, then
the man escaped throwing away his tie and
the children grew legs and started walking and
she could see the peril of an
unexamined life.
she closed her eyes, afraid to look for her
authenticity
but the light insists on itself in the world;
a voice from the nondead past started talking,
she closed her ears and it spelled out in her hand
"you might as well answer the door, my child,
the truth is furiously knocking."

​    - Lucille Clifton

​I feel as if we opened a book about great ocean voyages
and found ourselves on a great ocean voyage:
sailing through December, around the horn of Christmas
and into the January Sea, and sailing on and on

in a novel without a moral but one in which
all the characters who died in the middle chapters
make the sunsets near the book's end more beautiful.

—And someone is spreading a map upon a table,
and someone is hanging a lantern from the stern,
and someone else says, "I'm only sorry
that I forgot my blue parka; It's turning cold."

Sunset like a burning wagon train
Sunrise like a dish of cantaloupe
Clouds like two armies clashing in the sky;
Icebergs and tropical storms,
That's the kind of thing that happens on our ocean voyage--

And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,

I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
             and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
                                                        by pushing into it--

The sea was no longer a metaphor.
The book was no longer a book.
That was the plot.
That was our marvelous punishment.

    - Tony Hoagland

I've been seeing beetles lately.
Big and small--scary ones that only
emerge from their underground roost
to lay their eggs on my stairway;
junebugs, loitered into July,
who don't like letting go, even in death.

The little ones, metallic, remind me
of grabbing handfuls when I was ten
from the roses they loved to snuffle and chew.
Mr. Ingber would pay us a dime
for a pint jar full of their copper
and opaline green. Packed
and freighted for death, them smelled
the way that people smell when they begin to cry--
rain on hot pavement--ozone, rot.

I was old enough to know
what Mr. Ingber would do with that jar.
I should have let them go.
And now I open that jar, in me,
gasoline evaporated, beetle bodies dust,
my small repentance, late.

Maybe love is never lost.
If so, it might collect somewhere:
Mr. Ingber's love of roses,
my love for the beetles here,
all packed inside an empty jar,
waiting to be opened.

    - Chuck Madansky

​She steps into the dark swamp
where the long wait ends.

The secret slippery package
drops to the weeds.

She leans her long neck and tongues it
between breaths slack with exhaustion

and after a while it rises and becomes a creature
like her, but much smaller.

So now there are two. And they walk together
like a dream under the trees.

In early June, at the edge of a field
thick with pink and yellow flowers

I meet them.
I can only stare.

She is the most beautiful woman
I have ever seen.

Her child leaps among the flowers,
the blue of the sky falls over me

like silk, the flowers burn, and I want
to live my life all over again, to begin again,

to be utterly
wild.

​    - Mary Oliver

You are not surprised at the force of the storm--
you have seen it growing.
The trees flee. Their flight
sets the boulevards streaming. And you know:
he whom they flee is the one
you move toward. All your senses
sing him, as you stand at the window.

The weeks stood still in summer.
The trees' blood rose. Now you feel
it wants to sink back
into the source of everything. You thought
you could trust that power
when you plucked the fruit:
now it becomes a riddle again
and you again a stranger.

Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.

The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.

-Rainer Maria Rilke, translation by Joanna Macy

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

    - Li-Young Lee

The song begins and the eyes are lifted
but the sickle points toward the ground,
its downward curve forgotten in the song she hears,
while over the dark wood, rising or falling,
the sun lifts on cool air, the small body of a singing lark.

The song falls, the eyes raise, the mouth opens
and her bare feet on the earth have stopped.

Whoever listens in this silence, as she listens,
will also stand opened, thoughtless, frightened
by the joy she feels, the pathway in the field
branching to a hundred more, no one has explored.
What is called in her rises from the ground
and is found in her body,
what she is given is secret even from her.

This silence is the seed in her
of everything she is
and falling through her body
to the ground from which she comes,
it finds a hidden place to grow
and rises, and flowers, in old wild places,
where the dark-edged sickle cannot go.

    - David Whyte